Hi everyone! It’s been quite a while - a LONG while, in fact - but it truly feels good to be back in this creative space! It’s hard to believe that it has been over a year since I last sat down to write something meaningful. However, in the past month or so, I’ve been making a concerted effort to carve out more time to dedicate to my photography. Lately, I've been inspired to begin shooting more frequently, and that renewed passion has also motivated me to start writing again. Some of that inspiration has stemmed from engaging and enriching conversations with fellow photographers; individuals whose work I deeply admire and respect. These photographers are ones that I feel compelled to share with you, or perhaps remind you of if they are already on your radar.
And you know what that means. It means it’s that exciting moment again for another “30 Questions With Photographer…” blog post.
If you recall, for this special project, I ask photographers to answer a set of 30 insightful questions about themselves and their unique photography journey. I also encourage them to share some of their incredible work with us. The ultimate aim of this project is to spread the word about photographers who have significantly impacted my own photographic journey; those talented photographers I believe you absolutely need to know about. The next installment of my “30 Questions With Photographer…” project is one that I’ve been looking forward to for quite some time now. I actually came across this next photographer when she made an appearance on a few film photography podcasts back in 2021. After I viewed her vibrant Instagram feed, I was immediately drawn in and became a fan of her artistry. Where I often struggle to find a distinct style or look that identifies my work, this photographer’s photos are instantly recognizable and full of character.
The next photographer I want to introduce you to is Danielle Wrobleski.
Q: What is your name and where do you live?
A: Danielle Wrobleski. Wisconsin
Q: How can people contact you?
A: Instagram (@agirlwithtoomanycameras), my website (www.girlwithtoomanycameras.com), and also Threads and Bluesy.
Q: What is your earliest memory of taking a photography?
A: When I was 4 years old my parents took me to Disney World. As part of the trip they got me a cheap pink, plastic point and shoot camera. I remember sitting in our hotel room playing with it and my mom teaching me how to load it up with film and how important it is to not open the back and expose your film.
Q: Of the cameras you currently own, what is your favorite (you may choose one of each format if applicable?
A: It’s a tie between my Bronica SQA and ETRSi.
Q: Is there a camera you’ve always lusted after and hope to acquire someday? What makes you desire this camera?
A: I’ve long dreamt of getting a Pentax 67 because I really want that 105mm 2.4 lens. But I also don’t know realistically how much I’d actually carry it around with me to photograph and it’s a tad price prohibitive too. But maybe someday…
Q: Is there a camera you no longer have that you miss?
A: I have the opposite problem. I hold on to cameras more than I should. It’s how I’ve become the Girl With Too Many Cameras. I could probably stand to offload some, but my heart won’t let me.
Q: What type of photographs do you most enjoy taking (portraits, landscapes, street, etc) and why?
A: It changes, depending on my mood. Over the last year and a half I’ve gotten really into macro photography and that’s really what has been exciting me most about taking photographs recently.
Q: While most of us shoot both digital and film, I believe we all have a tendency to prefer one over the other. What do you prefer and why?
A: This is an impossible question to answer! To me, they each have different applications, pros & cons, and elements I love about each. With digital I love how malleable the images are. I can load them into Lightroom and turn them into something completely different than the original RAW files. I love that process! I also like doing all my macro work on digital because I have endless attempts to nail the shot when I’m shooting with razor thin focus. But with film I just love the tangible nature of it, the unique look of different stocks, and the limits it provides. They are just both so different, and I love them equally.
Q: How often/much do you shoot photographs (rolls per week, month, etc)?
A: It really ebbs and flows for me. The last year has been especially tough and I’ve probably shot 5-6 rolls of film in total. Life happens, man, and sometimes we have to put our hobbies aside to focus on other aspects of our lives. 2024 and 2025 so far has really been one of those times for me. But in years before 2024, I’ve had seasons where I’m shooting multiples rolls every week and then seasons (often the colder ones) where I only shoot a few rolls a month. I’m hoping to find more time for photography now we’re heading back into the warmer seasons this year.
Q: Do you prefer to photograph with other people, or would you rather shoot alone? Please explain.
A: I prefer alone. I love friends and being out with others, but when shooting in a group I find myself taking less photos then if I were on my own, as I have less control over where we’re shooting and the subject matter. I just really love wandering around on my own and seeing where my creative photo senses take me.
Q: What is your favorite black and white film right now and why?
A: Picking a favorite can be difficult, but I tend to gravitate towards the Tmax stocks more for black & white, especially 100. It’s just so sharp and smooth. But I’ve also gotten into pushing 400 to 800 & 1600 and I love the look I’ve gotten with that as well.
Q: What is your favorite color film right now and why?
A: Portra 160. It’s the forgotten Portra child, but I think the best. The grain is imperceptible and the colors dependable.
Q: Complete the following sentence: “I am a photographer because…”. What do YOU get from photography?
A: I’m a photographer because I love playing with cameras, exploring my world, and finding unique ways to capture it.
Q: Best experience while taking photographs?
A: When you take a photo and it turns out exactly how you hope.
Q: Most emotional experience while taking photographs?
A: More so after the photo has been taken. But looking back at family photos I’ve captured, especially ones that unbeknownst to me at the time, would happen to be the last photos taken of some family members. Anytime I look at them it gets me choked up.
Q: Worst experience while taking photographs.
A: When I get harassed on the street trying to take photos. I wish I could just be invisible with my camera so people leave me alone.
Q: Tell me about something related to photography you want to learn.
A: Not necessarily something I want take up for real, but I think it would be cool to have the opportunity to shoot a couple of wet plates some day just to see how the process works first hand.
Q: Tell me about something NOT related to photography you want to learn.
A: I’ve always wanted to learn how to bake macarons, tumble rocks, sew clothes, how to oil paint, foster kittens, the list goes on and on.
Q: What does your family/loved ones think/feel about your photography?
A: They’ve always been super supportive. My mom is also a photographer and I love when we get to do photo outings together.
Q: What is the last photography related book you’ve acquired?
A: I didn’t technically acquire it but I recently checked out The Lives of Lee Miller from my library.
Q: Name one of your favorite accounts on Instagram and explain what draws you to this photographer.
A: Jess Hobbs (@jesshobbsphoto), she’s an incredible photographer, storyteller, and friend. I discovered her originally through YouTube years and years ago when I was only first starting out in photography. On a whim I decided to message her a question about a camera she used in one of her videos fully expecting not to get a response. Not only did she respond but she’s become a very dear friend.
Q: Have you ever sold or have thought about selling any of your photographs? Would you do it again? Any advice for others thinking of selling their photographs?
A: I do have a print store, but it’s pretty dormant. I feel pretty neutral about selling prints myself. I often forget my store even exists. I would say only do it if you really want and don’t go into it with any expectations.
Q: Are there any photography related projects you’re working on that you’d like to tell us about?
A: Just shaking off the cobwebs and getting back into a normal shooting routine.
Q: Are there any non-photographic related projects you’re working on that you’d like to tell us about?
A: Updating the house we just bought.
Q: Where is your favorite location to shoot (specific place or type of place)?
A: Several of the state parks around me. I love being out in nature and finding new details to capture.
Q: Is there a specific object you’ve found yourself photographing over and over again? If so, why?
A: Flowers, I just love how many kinds there are, how different types bloom during different times of the year, and all the unique details you can capture.
Q: Favorite thing about the photographic community?
A: How friendly almost everyone is and what we can learn from each other.
Q: What do you think the photographic community is missing?
A: Diversity
Q: Biggest photography related pet peeve?
A: People who want to yuck someone else’s yum. Live and let live and focus on your own work and what makes you happy.
Q: The law of diminishing marginal utility states that as a consumer increases consumption of a good or service, the additional satisfaction (or utility) gained from each additional unit consumed decreases. In simpler terms, the more you have of something, the less additional benefit you get from each extra unit.
Example: Consider eating slices of pizza. The first slice might be very satisfying, but the second, third, and subsequent slices might provide less and less additional satisfaction as you become full.
Can you relate this concept to your photography? If so, how? At what point does “more” stop resulting in “better”? Or does it ever? Would having LESS of something improve your photographic journey?
A: Who is eating pizza and getting less satisfied by the slice? Not me. I can eat pizza all day and be as happy as a clam.
Anywho photography wise, I think that concept comes into play with editing. Sometimes I can get so lost in endless editing that I need to step back as I’ve lost my vision for what I’m trying to accomplish.
Q: What do you hope your photographic legacy will be?
A: I don’t like to think about legacies. I just want to focus on what makes me happy with the time I have.
Q: Who is the one person (living or dead) that you’d like to photograph and why? Describe the type of portrait you’d shoot, and the message you’d want this portrait to communicate about this person.
A: My grandma. She passed away last year, and I never got to take a photo of the two of us together.
Danielle is a remarkably talented photographer, and this is clearly evident in the stunning quality of her photos. I am truly looking forward to seeing even more of her impressive work in the near future. If you haven't had the chance to explore her other incredible shots, you should definitely check them out; I assure you it is worth your time and appreciation. You can see her work at on Instagram (@agirlwithtoomanycameras), my website (www.girlwithtoomanycameras.com).
